Archive for the ‘Graham Harman’ Category

Everything Is Not Connected

14 May 2012

Everything Is Not Connected:” audio of Graham Harman’s keynote at transmediale, Haus der Kulturen der Welt, Berlin, 2 February 2012

The idea that everything is interconnected has become a staple of intellectual life. As a related phenomenon, “contextualisation” is now the method of first resort throughout the humanities. This lecture opposes the general trend of emphasising systems and wholes over autonomous individuals. Among the greatest drawbacks of holistic ontology is its inability to explain disruptions and surprises in any system it studies. At best, one posits some sort of “materiality” lying outside all formatted systems that serves as their underground source of change, a theory that fails for a variety of reasons. The only alternative is to adopt an object-oriented model of fully formatted entities lying beyond the grasp of the human mind and even of each other. After providing some theoretical background for this claim, I will consider several recent political phenomena that are better understood by an object-oriented approach than a holistic one.

The Object Strikes Back

2 May 2012

Excerpts from Lucy Kimbell‘s forthcoming interview (in Design and Culture) with Graham Harman:

Objects are the anti-reductive principle par excellence. They exist midway between their tiny components and their palpable external effects. In this way they resist reduction both downwards and upwards– neither undermined nor overmined, neither undercut nor “overcut,” to coin another new term. Objects occupy the middle range in any situation, lurking beneath their outward effects, but they are also something real that cannot be decomposed into tinier elements. (…)

I think one of the weaknesses of the heavily relational approach of ANT (Actor Network Theory) is that it cannot adequately deal with the parts of the object that exceed its current relations. Latour’s best case studies (Pasteur, for example) are about things that have already happened. All the relations and translations have finally done their work, and we can use Latourian tools to explain how it occurred. …

Yet I’m not sure that ANT is quite as useful at counterfactual cases. What counterfactual cases do is allow us to look at the innate powers of a thing that might not have been expressible in their actual environment, and ask how things might have played out differently. …

The danger of relationist thinking is that it focuses too much upon reciprocal interactions in the “now” and too little on what things should be doing that they are prevented from doing by the accidental set of physical and social relations in which they are now entangled. The term “essence” gets a bad press these days, because it has come to be associated with all kinds of oppressive and reactionary dogmas, but if we take “essence” in a more minimalistic sense to mean “what a thing is quite apart from its current accidental situation,” then a certain essentialism is unavoidable.

Reviews of Harman and Latour

17 March 2012

In Volume 5, Issue 1, 2012 of the Journal of Cultural Economy:

  • Bruno Latour’s The Making of Law: An Ethnography of the Conseil d’État – by David Saunders
  • Graham Harman’s Prince of Networks: Bruno Latour and Metaphysics – by Chris Healy

Когда вещи продолжают тренировки

14 February 2012

My Russian is quite rusty, so I didn’t manage to decipher it all, but this short review of The Prince and the Wolf in the Russian Journal seems to be saying some rather nice things about the book. I think the title of the article translates as “When things continue to act.”

T for Thing

29 January 2012

Under the letter “T” in David Evans’s Critical Dictionary, “Thing” is represented by Tammy Lu and Katherine Gillieson’s cover design for Levi Bryant’s The Democracy of Objects book, accompanied by Graham Harman and Bruno Latour’s prospectus for the New Metaphysics series at Open Humanities Press. Hat tip to Tammy Lu.

Abandoning the conventional format of the dictionary, Critical Dictionary is an ambitious cornucopia of ideas, images, and illustrations, that emphasise the open-ended, provisional and unfinished nature of language, communication and meaning. Inspired by the mock dictionary Georges Bataille edited for ‘Documents’ in 1929 and 1930, Critical Dictionary is an adventurous title, aiming to puncture pretension, and declassify terms in a playful, humourous manner. Bringing together newly commissioned work, material gathered from online art magazine criticaldictionary.com, and featuring elements such as a retrospective assessment of the ZG magazine by former editor Rosetta Brooks, one of the seminal products of the art scene in the 1980s, and catalyst to the development of the so-called ”Pictures Generation”, Critical Dictionary is a rich exploration of ideas and language in all its forms.

Update: 

The Critical Dictionary exhibition had just opened at the WORK Gallery in London and will be on until 25 February 2012.

The Ontological Turn in Contemporary Philosophy

25 January 2012

Third Annual International Summer School in German Philosophy: “The Ontological Turn in Contemporary Philosophy” (July 2-13, 2012) at the Rheinische Friedrich-Wilhelms-Universität Bonn.

Organizer: Professor Dr. Markus Gabriel, Chair in Epistemology, Modern and Contemporary Philosophy (Bonn University)

Keynote Addresses/Visiting Professors:

  • Prof. Ray Brassier (American University, Beirut)
  • Prof. Iain Hamilton Grant (Bristol)
  • Prof. Martin Hägglund (Harvard/London Graduate School)
  • Prof. Graham Harman (American University, Cairo)
  • Prof. Slavoj Zizek (Ljubljana, NYU, Birkbeck, European Graduate School)

Course Description:

What is the world? What do we mean when we speak of the world in philosophy and claim things such as true thought being about the world? Is the world “out there,” as Bernard Williams and Adrian Moore’s “absolute conception of reality” suggest or is it a horizon or regulative ideal guiding our epistemic practices?

In metaphysics, ontology, and epistemology it is common to speak of the world without bothering to explicate what this term means. Even though it features in debates concerning our access to the external world and even in book titles like Mind and World, it usually does not seem to express more than the vague realist assumption or platitude that not all objects or facts are made up, hallucinated, or in some way or another constructed by thinking subjects. Much of the 20th century’s linguistic turn, both in the analytical and in the hermeneutical/phenomenological traditions, assumes that the world is what we have access to with truth-apt thought, yet also is that which might be distorted by our attempts to grasp it as it is in itself. Over the last decade, many voices (such as Hilary Putnam, Stanley Cavell, Alain Badiou, Quentin Meillassoux and Paul Boghossian, to name a few) have urged that the overall territory of the debate regarding the position of thinking in a world of facts is fundamentally confused by missing the very facticity of the world. This has triggered a thoroughgoing return to realism, prominently figuring in the thought of the avant-garde movement of “speculative realism” or “speculative materialism,” as it has been labeled. Interestingly, the debates often associated with Badiou’s ontology and the critique of all transcendental philosophy in Meillassoux’s After Finitude have, in a recent turn, led to a reassessment of German idealism, for example in the work of Markus Gabriel, Iain Hamilton Grant, and Slavoj Zizek. On a closer look, it turns out the Fichte, Schelling, and Hegel’s criticisms of Kant can be read as attempts to overcome transcendental epistemology and themselves motivate an ontological turn.

This year, we will discuss an array of perspectives on the ontological turn developed by the organizer and visiting professors in recent work. In particular, we will address the concepts of speculative philosophy, the relation between transcendental philosophy and ontology in general, the issue of contemporary forms of realism and materialism, and the prospects for a suitably realist or materialist reading of figures such as Schelling, Hegel, and Derrida. The philosophers assembled will present and discuss their recent work in the form of a lecture followed by a seminar. Everyone admitted to the Summer School will receive a reader with texts to be prepared before arrival.

More details here. H/t Graham Harman.

Another call for a Prince and the Wolf reading group

6 January 2012

In addition to the seminar in Dublin, here is another call for a reading group (by Adam Greenfield at Urbanscale) around the themes of The Prince and the Wolf and The Prince of Networks, within the context of design, computing and urban planning:

Thanks to Anil Bawa-Cavia for pointing me at The Prince and the Wolf, a transcript of Graham Harman’s 2008 conversation with Bruno Latour at the LSE. This and Harman’s book on Latour, Prince of Networks, are the first things I’m reading in my attempt to reconcile the objects of object-oriented ontology with Latour’s actors, which endeavor is what sparked all of the above in the first place. (If anyone’s interested in forming a reading and discussion group around these and related issues, by the way, please do let me know.)

Popular Prince and the Wolf quotes

19 December 2011

I might be behind the times but I’ve only just discovered that Amazon had introduced some innovations. Reviews posted on Amazon USA are now copied over directly to other English-language sites, such as Amazon UK. Also, not being a Kindle user, I have only just realised that Amazon lists the most popular sentences readers had highlighted on their Kindles. Here are the most popular highlights for The Prince and the Wolf. Try to guess which ones are by Latour and which one are by Harman :)

“Because if substance is excluded as the way to experience existence, then how many ways are there to subsist? That is what I am interested in.”
Highlighted by 6 Kindle users

“Things oversimplify each other just as much as we do. It’s not a special property of human consciousness to distort the world. Entities will distort each other ipso facto by the mere fact that they relate.”
Highlighted by 6 Kindle users

“Philosophy is not in the business of explaining. This is not at all the same thing. Philosophy is in the business of allowing the explanation to go far enough, to help the explainers to move in the explanatory trajectory but not to provide an explanation.”
Highlighted by 6 Kindle users

“…that any artifact is a form of assembling, of gathering, of ‘thinging’ entities together and that it is absurd to forget the mortals and the gods when describing a piece of hardware, even the most hyper-modern ones.”
Highlighted by 6 Kindle users

“Individual actors for Bruno create time by doing something irreversible.”
Highlighted by 5 Kindle users

“Everything is completely cut off in its own self, and as we will see in a moment, it can’t possibly endure from one instant to the next because it’s so utterly concrete that even the smallest change essentially makes it a new actor…”
Highlighted by 5 Kindle users

“Anything that has an effect on other things is an actor, and hence there’s no difference between physical and non-physical actors. Each actor is a black box containing other actors ad infinitum, and all actors are equally real.”
Highlighted by 4 Kindle users

“Empiricism means that the details of the actual occasions are the important theoretical features that we want to detect.”
Highlighted by 4 Kindle users

“All relation for Latour requires a mediator. Any two things can be linked, but only if something links them.”
Highlighted by 4 Kindle users

“Latour is not distinguishing between substance and aggregates the way that Leibniz did, where a circle of men holding hands cannot possibly be a substance because it is merely an aggregate of many individuals. For Latour every individual is already an aggregate to begin with.”
Highlighted by 3 Kindle users

Speculative realism recordings

7 November 2011

Readers in the past have requested an alternative way to download recordings from this site, as there were apparently some problems with downloading them from eSnips. I’m happy to report that Modestos Stavrakis has now very kindly rehosted the recordings on his blog, alongside a variety of recordings from other sources as well. See his Speculative Realism Recordings. Thank you, Modestos.

Seminar series on The Prince and the Wolf

21 October 2011

I heard it through the grapevine that there will be a seminar series discussing The Prince and the Wolf at at the National College of Art & Design in Dublin. More details at the Art in the Contemporary World blog and A Little Tag End of the World blog, where apparently some of the discussion will be posted.


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