Archive for the ‘philosophy’ Category

New book: Agency without Actors?

24 April 2012

Passoth, J., B. Peuker & M. Schillmeier (Eds) (2012) Agency without Actors? Rethinking Collective Action. London/New York: Routledge

Contents:

Note on Contributors 1. Introduction Part 1: Events, Suggestions, Accounts 2. Suggestion and Satisfaction: On the Actual Occasion of Agency by Paul Stronge and Mike Michael 3. Science, Cosmopolitics and the Question of Agency: Kant’s Critique and Stengers’ Event by Michael Schillmeier 4. Questioning the Human/Non-Human Distinction by Florence Rudolf 5. Agency and “Worlds” of Accounts: Erasing the Trace or Rephrasing the Action? by Rolland Munro Part 2: Contribution, Distribution, Failures 6. Distributed Agency and Advanced Technology, Or: How to Analyze Constellations of Collective Inter-Agency by Werner Rammert 7. Distributed Sleeping and Breathing: On the Agency of Means in Medical Work by Cornelius Schubert 8. Agencies’ Democracy: “Contribution” as a Paradigm to (Re)thinking the Common in a World of Conflict by Jacques Roux 9. Reality Failures by John Law Part 3: Interaction, Partnership, Organization 10. “What’s the Story?” Organizing as a Mode of Existence by Bruno Latour 11. Researching Water Quality with Non-Humans: An ANT Account by Christelle Gramaglia & Delaine Sampaio Da Silva 12. Horses – Significant Others, People’s Companions, and Subtle Actors by Marion Mangelsdorf

Video of Isabelle Stengers’ keynote in Halifax

9 March 2012

On “Cosmopolitics: Learning to Think with Sciences, Peoples and Natures,” Halifax, Canada, March 5 , 2012. Thanks to dmf for the link. More details here.

Semiotics of Subjectivities

24 February 2012

XL Congress of the Italian Association for Semiotic Studies, Turin, September 28-30, 2012. Keynote speakers:

  • Maurizio Bettini
  • Omar Calabrese
  • Jean-Claude Coquet
  • Umberto Eco
  • Paolo Fabbri
  • Bruno Latour
  • Giovanni Manetti
  • Peter Sloterdijk
  • Patrizia Violi

Isabelle Stengers on progress

20 February 2012

Isabelle Stengers visits Halifax, Canada for a series of conversations as part of the “To See Where it Takes Us” series during March 5-9, 2012. Her keynote will be streamed live.

Professor Stengers’ keynote address will examine sciences and the consequences of what has been called progress. Is it possible to reclaim modern practices, to have them actively taking into account what they felt entitled to ignore in the name of progress? Or else, can they learn to “think with” instead of define and judge?

Toscano on capitalism and panorama

18 February 2012

Alberto Toscano’s forthcoming lecture at Simon Fraser University on 6 March 2012, among others deploying Latour’s concept of the ‘panorama:’

Capitalism and Panorama: Staging Totality in Social Theory and Art

Can, or should, social theory try to ’see it whole’? This paper addresses the representation of social totality along theoretical, political and aesthetic axes. It considers the demand for orienting and totalizing representations of capitalist society present in the programmatic notions of ’sociological imagination’ in C. Wright Mills and ‘cognitive mapping’ in Fredric Jameson. Mills and Jameson converge on the need to mediate personal experience and systemic constraints, knowledge and action, while underscoring the political urgency and epistemic difficulty of such a demand.

This lecture will contrast these perspectives with the repudiation of a sociology of totality in the actor-network theory of Bruno Latour. It will explore this contrast through the ‘panorama’, both as a theoretical metaphor and as the object of different visual and artistic practices.

Bio: Alberto Toscano teaches in the Department of Sociology at Goldsmiths, University of London. He is the author of Fanaticism (2010) and The Theatre of Production (2006). He is an editor of the journal “Historical Materialism”.

T for Thing

29 January 2012

Under the letter “T” in David Evans’s Critical Dictionary, “Thing” is represented by Tammy Lu and Katherine Gillieson’s cover design for Levi Bryant’s The Democracy of Objects book, accompanied by Graham Harman and Bruno Latour’s prospectus for the New Metaphysics series at Open Humanities Press. Hat tip to Tammy Lu.

Abandoning the conventional format of the dictionary, Critical Dictionary is an ambitious cornucopia of ideas, images, and illustrations, that emphasise the open-ended, provisional and unfinished nature of language, communication and meaning. Inspired by the mock dictionary Georges Bataille edited for ‘Documents’ in 1929 and 1930, Critical Dictionary is an adventurous title, aiming to puncture pretension, and declassify terms in a playful, humourous manner. Bringing together newly commissioned work, material gathered from online art magazine criticaldictionary.com, and featuring elements such as a retrospective assessment of the ZG magazine by former editor Rosetta Brooks, one of the seminal products of the art scene in the 1980s, and catalyst to the development of the so-called ”Pictures Generation”, Critical Dictionary is a rich exploration of ideas and language in all its forms.

Update: 

The Critical Dictionary exhibition had just opened at the WORK Gallery in London and will be on until 25 February 2012.

The Ontological Turn in Contemporary Philosophy

25 January 2012

Third Annual International Summer School in German Philosophy: “The Ontological Turn in Contemporary Philosophy” (July 2-13, 2012) at the Rheinische Friedrich-Wilhelms-Universität Bonn.

Organizer: Professor Dr. Markus Gabriel, Chair in Epistemology, Modern and Contemporary Philosophy (Bonn University)

Keynote Addresses/Visiting Professors:

  • Prof. Ray Brassier (American University, Beirut)
  • Prof. Iain Hamilton Grant (Bristol)
  • Prof. Martin Hägglund (Harvard/London Graduate School)
  • Prof. Graham Harman (American University, Cairo)
  • Prof. Slavoj Zizek (Ljubljana, NYU, Birkbeck, European Graduate School)

Course Description:

What is the world? What do we mean when we speak of the world in philosophy and claim things such as true thought being about the world? Is the world “out there,” as Bernard Williams and Adrian Moore’s “absolute conception of reality” suggest or is it a horizon or regulative ideal guiding our epistemic practices?

In metaphysics, ontology, and epistemology it is common to speak of the world without bothering to explicate what this term means. Even though it features in debates concerning our access to the external world and even in book titles like Mind and World, it usually does not seem to express more than the vague realist assumption or platitude that not all objects or facts are made up, hallucinated, or in some way or another constructed by thinking subjects. Much of the 20th century’s linguistic turn, both in the analytical and in the hermeneutical/phenomenological traditions, assumes that the world is what we have access to with truth-apt thought, yet also is that which might be distorted by our attempts to grasp it as it is in itself. Over the last decade, many voices (such as Hilary Putnam, Stanley Cavell, Alain Badiou, Quentin Meillassoux and Paul Boghossian, to name a few) have urged that the overall territory of the debate regarding the position of thinking in a world of facts is fundamentally confused by missing the very facticity of the world. This has triggered a thoroughgoing return to realism, prominently figuring in the thought of the avant-garde movement of “speculative realism” or “speculative materialism,” as it has been labeled. Interestingly, the debates often associated with Badiou’s ontology and the critique of all transcendental philosophy in Meillassoux’s After Finitude have, in a recent turn, led to a reassessment of German idealism, for example in the work of Markus Gabriel, Iain Hamilton Grant, and Slavoj Zizek. On a closer look, it turns out the Fichte, Schelling, and Hegel’s criticisms of Kant can be read as attempts to overcome transcendental epistemology and themselves motivate an ontological turn.

This year, we will discuss an array of perspectives on the ontological turn developed by the organizer and visiting professors in recent work. In particular, we will address the concepts of speculative philosophy, the relation between transcendental philosophy and ontology in general, the issue of contemporary forms of realism and materialism, and the prospects for a suitably realist or materialist reading of figures such as Schelling, Hegel, and Derrida. The philosophers assembled will present and discuss their recent work in the form of a lecture followed by a seminar. Everyone admitted to the Summer School will receive a reader with texts to be prepared before arrival.

More details here. H/t Graham Harman.

Sloterdijk’s Spherological Poetics of Being

16 January 2012

Hat tip to Graham for bringing attention to this book on Sloterdijk: it turns out there is also an open access version, downloadable from here:

Schinkel, W. and Noordegraaf-Eelens, L., Eds. (2011). In Medias Res: Peter Sloterdijk’s Spherological Poetics of Being. Amsterdam: Amsterdam University Press. [PDF]

The book also includes Latour’s “Cautious Prometheus” lecture.

Sloterdijk has in recent years grown into one of Germany’s most influential thinkers. His work, which is extremely relevant for philosophers, scientists of art and culture, sociologists, political scientists and theologists, is only now gradually being translated in English. This book makes his work accessible to a wider audience by putting it to work in orientation towards current issues. Sloterdijk’s philosophy moves from a Heideggerian project to think ‘space and time’ to a Diogenes-inspired ‘kynical’ affirmation of the body and a Deleuzian ontology of network-spheres. In a range of accessible and clearly written chapters, this book discusses the many aspects of this thought.

CfP: Empirical Philosophy of Science

17 November 2011

Call for Papers: Empirical Philosophy of Science – Qualitative Methods, Sandbjerg, Denmark,  March 21-23, 2012 – workshop organised by Center for Science Studies, Aarhus University. Extended Deadline: December 2, 2011.

The workshop seeks to explore the benefits and challenges of an empirical philosophy of science: What do philosophers gain from empirical work? How can empirical research help to develop philosophical concepts? How do we integrate philosophical frameworks and empirical research? What constraints do we accept when choosing an empirical approach? What constraints does a pronounced theoretical focus impose on empirical work?

Keynote Speakers:

  • Nancy Nersessian, Georgia Institute of Technology
  • Lisa Osbeck, University of West Georgia
  • Erika Mansnerus, London School of Economics
  • Hauke Riesch, Imperial College London

Levi Bryant on book covers

12 November 2011

Speaking of Tammy Lu’s drawings, I have just come across this recent interview with Levi Bryant, which includes the following exchange on the topic of his book covers (both of which have been featured on this blog, here and here):

The cover of Democracy of Objects features a series of fantastical objects of similar scale and spacing strung on a piece of something like barbed wire. The book The Speculative Turn that you edited with Graham Harman and Nick Srnicek features a pair of pruning shears. Barbed wire was a revolutionary technology that fundamentally shifted settlement patterns across the North American midwest; pruners are the ideal general purpose tool for maintenance and propagation of vegetation. Can you talk a little bit about the choice of those images?

To be quite honest I had no role in choosing the images for either of my books, though I couldn’t be more pleased with the choices of the editors. I’m particularly fond of Tammy Lu’s cover for The Democracy of Objects as I believe it very much captures the spirit of my thought. Seen from afar it looks like flowers intertwined along threads of ivy. This very much captures my conception of objects as something that “bloom” or unfold, just as the Greeks conceived phusis as a blooming or unfolding. However, as you look more closely you suddenly see a hint of menace (the barb wire and fishing tackle), as well as a universe that somehow manages to beautifully interweave natural entities, computer memory storage devices, barb wire, fishing tackle and so on. Tammy Lu’s work captures the sense of a flat ontology where nature, culture, and technology are not distinct ontological realms but rather where all entities are intermingled on a single flat plain of immanence and where there is no supplementary space that contains them but only the relations they forge with one another generating a network space. It is a world of great beauty as well as lurking menace.

The cover of The Speculative Turn is a bit more masculine and difficult for me to decipher. No doubt pruning sheers were dimly chosen to convey the sense of something of the tradition—the Kantian correlationist legacy—being pruned away. This would be the aggressive, warlike dimension that seems especially popular among those speculative realists that fall in the nihilistic eliminativist camp and that seem to revel in death and destruction. Indeed, perhaps a major fault-line in speculative realism is between that camp that emphasizes construction and building (though without a anthropocentric reference for these terms) found among the object-oriented ontologists and the process-relationists, and that side that seems delighted by tearing down, destroying, and death found among the nihilistic eliminativists. A more generous reading of the pruning sheers, however, would be to comprehend them along the lines of the bonsai tree, as the collaborative process that takes place between humans and nonhumans in the cultivation of collectives.

The rest of the interview is also well worth reading: it contains discussions on “intersections between his work and ideas of wilderness, landscape, control mechanisms and the ambivalence of utopian fictions in affecting public space.”


Follow

Get every new post delivered to your Inbox.

Join 66 other followers